Conference Agenda
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Agenda Overview |
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PRESENTATIONS_40: Round table: Manuscripts of the Eastern Christian Chant traditions
Presented by the Forum of Sections | ||
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4:00pm - 4:30pm
Manuscripts of the Eastern Christian Chant Traditions: Catalogues, Metadata, Research tools. On the state of the art and future projects
1Aristotle University Thessaloniki, Greece; 2Universita di Padova, Italy; 3National Kapodistrian University of Athens, Greece; 4Patriarchal University Ecclesiastical Academy of Crete, Greece; 5University of Macedonia, Thessaloniki, Greece; 6Romanian Academy Library, Bucharest, Romania; 7Ukrainian National Tchaikovsky Academy of Music; 8Centre for Music Studies, New University of Lisbon; 9University of Palermo, Italy; 10Ionian University, Corfu, Greece Round Table IMS Study Group “Music of the Christian East and Orient” and Study Group "Psaltike" of the Levi Foundation in Venice This Round Table will investigate the manuscript world of Eastern Christian Chant in its various traditions (Byzantine, Slavonic, Romanian, Armenian a.o.), looking gratefully back at what has been accomplished in creating the basic instrumenta studiorum (manuscript inventories, catalogues, and databases of different types) and reflecting on developmental lines for the years to come. More precisely, we will refer a. to the existent catalogues, with emphasis on the publications since 2000, analyzing the different approaches in the cataloguing work, b. to various attempts of numbering the pieces of the old Byzantine repertories (e.g the numbering of the stichera according to the Standard Abridged Version a.o.), c. to digitalized chant-manuscripts collections, d. to projects of searching sources and their metadata, e. to ongoing/future projects connected to chant manuscripts in the context of digital humanities. The Round Table will also explore possibilities for greater interconnection between the codicological and paleographical study of eastern Christian chant and historically informed performance practices and music education in the contemporary world. To this end, some recent works will be mentioned, along with a reference to ongoing projects on the subject, such as the Encoding of eastern neumatic notations (MEI initiative), the revival of old performance practices through multidisciplinary research, along with their benefits for music education. | ||
