26. Jahreskongress der
Gesellschaft für Musiktheorie (GMTH)
Das Wunder des Hörens. Musikalisches Hören zwischen
Kunstanspruch, Kreativität und Wissenschaft
02. – 04. Oktober 2026
Martin-Luther-Universität Halle-Wittenberg
Veranstaltungsprogramm
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Die momentane Konferenzzeit ist: 01. Sept. 2026 11:01:53 MESZ
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Practical Ear Training: “Ears before Eyes” Norwegian Academy of Music, Norwegen With six student volunteers on stage, you are invited to participate in a practical ear training session. The focus will be on acquiring strategies and auditory skills, rather than on reading or writing musical notation. Depending on the students' proficiency and level, the exercises will cover rhythmic skills, tonality, and harmony. Between activities, I will comment on and elaborate upon what we are doing - and why, placing the work within a broader context. Further explanation and elaboration regarding the methodology will be provided in the lecture later today in the afternoon: “My overall approach to Ear Training after 50 years – What? How? Why?”. Kurzer Lebenslauf der vortragenden Autorin / des vortragenden Autors: Gro Shetelig Professor Emerita in Ear Training/ Aural Skills at the Norwegian Academy of Music, Oslo until 2017, and the Arctic University in Tromsø until 2022. Presently Guest Professor in Parma, Italy at a Master program in Aural skills & Methodology. She received her music education in Oslo, Norway (Advanced Piano Teacher Certificate) and at Oberlin College in Ohio, USA (MB Piano performance), and has been a soloist with the Trondheim Symphony Orchestra, Bergen Philharmonic, and Oslo Philharmonic Orchestra. After USA she entered Graduate studies at the Norwegian Academy of Music, where she was awarded her Diploma Degree in Music Theory, specializing in Aural Skills (1975). Ever since graduation she had been employed at the Norwegian Academy of Music, teaching Aural Skills, Listening, Rhythmic Training and Aural Methodology. She has published several textbooks in - and on methods of Ear training - Hører du? and Hva hører du? (Gyldendal, Oslo) and is co-author in the Scandinavian collaborate project, “Listen to Scandinavia – a textbook in the art of Listening” (Wilhelm Hansen, Copenhagen), based on a wide range of works by Nordic composers from the 20th Century. She is part of the research group project "Concrescence" (initiated and led by Professor/composer Lasse Thoresen), developing methods in teaching Micro-tonality for Singers, including several workshops with project partner Latvia Radio Choir between 2008 - 2010, leading to their world premiere of 6 microtonal works in Oslo and Riga in 2010. | ||


